This month, I’m jumping into the #APlaceInTheSong challenge from @JukeboxJohnny2. Great songs have that special ability to describe places in a way that makes us feel like we’re right there. Each day, I’ll pick a track that I think accomplishes that feat.
The topic of great electronic music can’t be had without mentioning Upstairs at Eric’s and the talented duo of Vince Clarke and Alison Moyet. While I do love Depeche Mode, I was never a real fan of the Vince Clarke years. But, for me, things were different with Upstairs at Eric’s (not to mention many of the early Erasure albums). This is when I truly began to appreciate Clarke’s unique synth pop stylings paired with Moyet’s vastly underrated and underexposed prowess as a lead singer (at least here in the States). Upstairs at Eric’s showcases both commanding synth arrangements and vocal performances. And “In My Room” stuck out like a sore thumb. I love it.
Most of the songs on Upstairs at Eric’s were built to make you dance. Well, not “In My Room”. It’s packed with more samples than dance-worthy keyboard hooks. It’s a sprawling track with miles of space built in between those electronic drum hits. The song prominently features the Lord’s Prayer read robotically and repeatedly, and accompanied by recordings of conversation bits and shattered glass. “In My Room” is a spiritual experience. Clarke’s synth lines are intentionally understated to bring greater prominence to the gravity of the spoken words and Moyet’s resolute vocals.
“And in the room locked up inside me. The cutout magazines remind me. I sit and wait alone in my room.”