For the second half of September, I’m putting my Mental Jukebox into a time machine, featuring the best songs on the best albums from the very best years of music. #70sThrough90sBestAlbum

It’s a shame more people don’t know the remarkable beauty and ingenuity of Cocteau Twins. The Heaven or Las Vegas album may have been their most well-known effort, but it still soars blissfully under the radar after all these years. The band helped create the soundscaped genre of dream pop much like how My Bloody Valentine helped shape the shoegaze equivalent. The title track, in particular, is one of my favorite Cocteau tracks to get lost in.

“Heaven or Las Vegas” emanates and enlightens. It could’ve made the darkest recesses of the earth sound euphoric. Elizabeth Fraser, once again, sounded more angelic than human. The swirling synths are practically hypnotizing, while the guitar holds you in a steady trance with these gorgeous cascading arpeggios and soaring riffs. Clocking in at nearly five minutes, “Heaven or Las Vegas” has become a shining example, not just of dream pop, but of any soundscape genre.

“I want to love. I've all the wrong glory.”