This month, I’m looking back at movies and tv shows to rediscover songs that graced the screen. The scenes and the music are inseparable. They’re engrained in our heads and our hearts. And they’re proof that the best music we have doesn’t exist in isolation. It attaches itself to a moment or an experience. #SceneSongs
Movie: Sixteen Candles
Few songs did more to prop up a movie soundtrack than “Young Americans”. It elevated the soundscape of Sixteen Candles with instant credibility. Not to downplay Thompson Twins, Spandau Ballet, Billy Idol, Oingo Boingo and the like, but the rest of the soundtrack has a one-dimensional feel to it. A mediocre combination of new wave hits at best – a couple of solid tracks surrounded by mostly forgettable songs. But the scene in the movie where the family is getting ready for Sam’s older sister’s wedding is put on a pedestal with the Bowie classic “Young Americans”.
Some consider this to be Bowie’s best song. It’s certainly up there, showcasing his ability to traverse various genres. On “Young Americans”, Bowie is all soul. The melody. His lead vocals. The piano slide. The backing vocal harmonies, featuring a young Luther Vandross. And the saxophone flourishes from David Sanborn. On the album of the same name, “Young Americans” is the throwback opener that eventually leads to the album closer, “Fame”, which stands in stark contrast with its post-modern, new wave aesthetic.
“All night, I want the young American.”