"NO FUN" THE STOOGES (1969)

For the month of January, I’m selecting some of the most memorable and influential songs of the 60’s. While they all hail from the same decade, these are some of my favorite songs of any era. They remind me that the 60’s were so much more than just Woodstock and psychedelic rock. It was a flourishing period for blues, folk, progressive and straight-ahead rock. #31DaysOf60sSongs

Of the band, music critic Mark Deming of AllMusic once brilliantly stated this, "Part of the fun of The Stooges is, then as now, the band managed the difficult feat of sounding ahead of their time and entirely out of their time, all at once.” What an accurate statement. These guys were total outsiders during their time. They sounded strange, almost childish at times. But, who knew, they would help shape the sound of punk rock. Songs like “I Wanna Be Your Dog” and “1969” are proto-punk anthems, and “No Fun”, in my mind, should be given the same stature.

At times throughout the song, Iggy Pop’s vocals sound more like whining and screaming than actual singing. Ron Asheton’s distortion-soaked guitar riffs seemingly reflect back this same juvenile approach. The hooks sound like moans and groans. It’s raw, lo-fi music fun that chooses an unlikely source as its key rhythm base: Scott Asheton’s handclaps. The clapping is more pronounced than his drum kit. With “No Fun”, it seems like there isn’t much to dissect. It’s just a fun, don’t-give-a-S#it song that just so happens to sound eerily similar to a whole rock movement that would arrive on the scene about five years later.

“Well maybe go out, maybe stay home. Maybe call Mom on the telephone.”

"1969" THE STOOGES (1969)

“1969” starts out in a familiar, predictable space. There’s almost a bluesy, Doors-esque sound to the first minute and a half. Then music history forever changes after that. The experimental guitar effects carry the rest of the song through, defining the essence of garage rock, containing the early strands of punk, and displaying an eerie premonition of distorted vocals popularized by The Strokes.

“Another year with nothing to do.”