"ROCK AND ROLL" THE VELVET UNDERGROUND (1970)

The decade in which I was born has given me a strange perspective on its music. I discovered pretty much all of the 70’s sounds – from prog rock to punk to disco – well after they came into the world. It wasn’t until the late 80’s that I discovered what I was missing. I would characterize the decade as one where budding genres leaped off their inspiration pads and came to fruition. For the month of February, Mental Jukebox will feature some of these gems with a different 70’s song each day. #28DaysOf70sSongs

Producer Brian Eno famously said this: “The Velvet Underground didn’t sell many records, but everyone who bought one went out and started a band.” The quote speaks to the pure love of the music that the band had. Lou Reed himself once said this about music: “If I hadn't heard rock and roll on the radio, I would have had no idea there was life on this planet. Which would have been devastating - to think that everything, everywhere was like it was where I come from. That would have been profoundly discouraging. Movies didn't do it for me. TV didn't do it for me. It was the radio that did it." It’s the sentiment behind “Rock and Roll”. That song was about him.

“Rock and Roll” is Lou Reed wearing his rabid love for music on his sleeve. A passion I’ve always identified with – that undying obsession to music. No other creative expression or pursuit compares. This was the b-side to “Sweet Jane”, which is a spectacular song in itself. But I think those two songs could’ve easily swapped sides with each other without anyone blinking an eye. “Rock and Roll” was on that level. It had this unexpected chord progression to it which was driving the song from the start, while Reed’s howling falsetto turned in one of the band’s finest vocal moments. It’s one of my all-time favorite Velvet Underground songs.

“There was nothin' goin' down at all, not at all. Then one fine morning, she puts on a New York station. You know, she don't believe what she heard at all. She started shaking to that fine, fine music. You know, her life was saved by rock and roll.”

"I'M WAITING FOR THE MAN" THE VELVET UNDERGROUND & NICO

For the month of January, I’m selecting some of the most memorable and influential songs of the 60’s. While they all hail from the same decade, these are some of my favorite songs of any era. They remind me that the 60’s were so much more than just Woodstock and psychedelic rock. It was a flourishing period for blues, folk, progressive and straight-ahead rock. #31DaysOf60sSongs

I can’t pay homage to the 60’s without paying homage to one of the most influential and daring bands to come out of that period. Hearing albums like The Velvet Underground & Nico collaboration and White Light/White Heat, I’m struck by what these guys were doing and when they did it. They were about ten years ahead of everyone else. There are entire genres that may not have come to fruition had The Velvet Underground not laid the groundwork, including garage rock, punk rock and new wave. I can hear elements of these styles in their anthem “I’m Waiting For the Man”.

“I’m Waiting For the Man” is a raw, gutsy rock song with that characteristic Lou Reed approach of half-singing, half-intoning. The song is like a foreshadowing of what was to come. In those five minutes, we hear the raw distortion that would typify garage rock, the simple chord structures of punk rock and the infectious hooks of new wave. It’s a way early glimpse of the sounds we would later hear from bands like The Stooges, The Sex Pistols, The Cars among others. It’s not often that we look back at a song that helps us to look forward.

“Until tomorrow, but that's just some other time. I'm waiting for my man.”

"SWEET JANE" THE VELVET UNDERGROUND (1970)

In a lot of ways, The Velvet Underground was the protypical rock & roll band. They seemed to represent everything core to rock & roll. But on the other hand, they also rewrote the rules. They didn’t play it straight. And they gave way to bands like Sonic Youth, Wilco and others to do the same—to be melodic and experimental at the same time. “Sweet Jane” is maybe one of the best examples of this, turning a three-chord rock song on its head with the opening 15-second cacophony.

“Anyone who's ever had a heart wouldn't turn around and break it. And anyone who's ever played a part wouldn't turn around and hate it.”

"ROCK & ROLL" VELVET UNDERGROUND (1970)

“Rock & roll” is one of my all-time favorite Velvet Underground songs. It’s about Lou Reed’s rabid love for music. Something I’ve always identified with. That borderline ridiculous attraction to music—more than film, books or any other creative expression. This was the b-side to “Sweet Jane”, which is a spectacular song in itself. But I think those two songs could’ve easily swapped sides with each other without anyone blinking an eye.

“There was nothin' goin' down at all, not at all. Then one fine morning, she puts on a New York station. You know, she don't believe what she heard at all. She started shaking to that fine, fine music. You know, her life was saved by rock and roll.”