"ACROSS THE LINES" TRACY CHAPMAN (1988)

For October, the Mental Jukebox is dialing it way back to the eighties and going deep. Deep cuts have always been an important element of music listening to me because they’re often the songs that resonate with me most. Deep cuts are usually the ones that the true fans appreciate most. I like my singles and hits, but I love my deep cuts.

Some musicians take a little longer to appreciate. That was the case for me with Tracy Chapman and her debut album. “Fast Car” was getting tons of radio airplay, but it wasn’t until I heard the full album that I really started to appreciate what she was doing that no one else was at the time. Some songs grabbed me instantly, like “Baby Can I Hold You” and “Mountains O’Things”. Others eventually got my full, undivided attention after a few listens, and none more so than “Across the Lines”.

“Across the Lines” was genius folk songwriting. It was at another level. This was a black singer giving us a sober look at the world she knew. The song combined the socio-political conscience of Dylan with the raw Americana portraits of Springsteen. It took an incredibly candid, minimalist approach with nowhere to hide. While other artists were wielding their electric guitars, firing up their synthesizers and screaming into their mics, Tracy was strumming on an acoustic and singing from her soul.

“Choose sides. Run for your life.”

"ACROSS THE LINES" TRACY CHAPMAN (1988)

For the second half of September, I’m putting my Mental Jukebox into a time machine, featuring the best songs on the best albums from the very best years of music. #70sThrough90sBestAlbum

Some musicians take a little longer to appreciate. That was the case for me with Tracy Chapman and her debut album. “Fast Car” was getting tons of radio airplay, but it wasn’t until I heard the full album that I really started to appreciate what she was doing that no one else was at the time. Some songs grabbed me instantly, like “Baby Can I Hold You” and “Mountains O’Things”. Others eventually got my full, undivided attention after a few listens, and none more so than “Across the Lines”.

“Across the Lines” was genius folk songwriting. It was at another level. This was a black singer giving us a sober look at the world she knew. The song combined the socio-political conscience of Dylan with the raw Americana portraits of Springsteen. It took an incredibly candid, minimalist approach with nowhere to hide. While other artists were wielding their electric guitars, firing up their synthesizers and screaming into their mics, Tracy was strumming on an acoustic and singing from her soul.

“Choose sides. Run for your life. Tonight the riots begin on the back streets of America. They kill the dream of America.”

"FAST CAR" TRACY CHAPMAN (1988)

For Women’s History Month, I’m selecting some of my favorite songs from some of the most talented and influential women in music. From frontwomen to singer-songwriters to iconic performers, I’m picking one song a day on Mental Jukebox until the end of March.

Until the moment “Fast Car” came on to the radio in 1988 we had heard nothing else like it. It was a deliberately simple story about ordinary people. Something seemingly so easy to create, yet only achieved by music’s true luminaries: Dylan, Springsteen, Waits, Simon. With songs like “Fast Car”, “Across the Lines” and “For My Lover”, Chapman showed the vulnerability and bravery of telling stories from the heart as if they were her very own. And the underrated acoustic guitar riff cleverly embodies the plight of the song’s characters.

“You got a fast car. Is it fast enough so you can fly away? You gotta make a decision. Leave tonight or live and die this way.”