"TRAIN IN VAIN" ANNIE LENNOX (1995)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

Medusa was quite a departure for Annie Lennox on two levels. First, it was her first full length recording dedicated only to cover songs. Second, her sound had significantly shifted at this point to a softer side devoid of any Eurythmics-era strands. The highlight for me was her cover of The Clash’s “Train in Vain”.

What makes this cover especially unique is that it’s a completely different interpretation of The Clash London Calling classic. Had she done it with the Eurythmics, I think the results would’ve been far less impressive. We would’ve had a remake that might not be too far off from the original. But by the time Medusa reared its head on the music world, Lennox had expanded her genre explorations, turning in a soulful, gospel-fueled “Train in Vain”.

“I see all my dreams come tumbling down.”

"LITTLE BIRD" ANNIE LENNOX (1992)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

Annie Lennox is one of the most underrated singers of our lifetime. Razor-sharp fundamentals and technique. Astounding range. And incredible versatility. On “Little Bird”, we get it all. She hogged most of the spotlight with the Eurythmics, but now she took it all.

On Diva, Annie moved closer to pop, but she did it in her own brilliant way. “Little Bird” soared on a blend of soul and electro-pop. It struts. It swaggers. It’s a vocal feast. While “Walking on Broken Glass” was a bit more predictable, “Little Bird” had just enough to catch me off guard.

“Mamma, where do I go? Mamma, what do I know? Mamma, we reap what we sow. They always said that you knew best. But this little bird's fallen out of that nest now.”