As an eighties kid, synth pop has been pumping in my blood ever since that first day I turned on my MTV. There’s some debate as to who’s considered a synth pop band and who isn’t. For this September Music Twitter challenge – #SynthPopSeptember – I’m focusing more on what’s considered synth pop, not who. The songs I’m featuring on Mental Jukebox this month aren’t solely composed of synthesizers. There may be drums, bass, and dare I say, electric guitars. But each of these songs were picked because the synthesizer is core to its being.
For several decades, various bands have often been compared to the creme de la creme. Are you progressive enough like early Floyd? Can you combine various genres like Hendrix? Can you write melodies and experiment instrumentally like The Beach Boys? The latter comparison seems to be one of the most common ones. Seems like the minute Pet Sounds was released, critics wanted to see who could match it or even exceed it. Merriweather Post Pavilion certainly has earned a right to be in those discussions. It’s like a modern-day Pet Sounds and “My Girls” is Animal Collective’s own “That’s Not Me”.
The song opens with an audio sample from the Cassini-Hyugens spacecraft which explored Saturn, its rings and its moons. From there, the iconic and mesmerizing synth hook trickles in like a waterfall. The percussion elements are sparse, but powerful with every hit. The primary strength of “My Girls” is undoubtedly the vocals. The verses are sung in rounds. The buildup into the chorus features these background falsetto blips. And the chorus is anchored by Panda Bear and Avey Tare’s harmonies. A song about family and settling down, “My Girls” is experimental to the bone, as evident in its instrumentation, vocals and song structure. It is truly deserving of the lofty Pet Sounds comparisons it drew.
“I JUST WANT FOUR WALLS AND ADOBE SLABS FOR MY GIRLS.”