"THE LESS I KNOW THE BETTER" TAME IMPALA (2015)

For the month of October, I’m taking the #OctAtoZBandChallenge challenge. The premise is simple. Pick a band starting with the day’s assigned alphabet letter and then choose a song from that band.

Day 20

At one point in 2015, it felt like Tame Impala was the hottest band on the planet. I remember listening to Currents nonstop that year – at home, on the go, in the office. I was working in a creative bullpen atmosphere that year, and Currents was one of the few albums we could all agree on. “The Less I Know The Better” was one of the staples from that album which introduced me to the world of Tame Impala. The video was weird and perverted. The musicality was distinct.

“The Less I Know The Better” is a musical study in contrasts. Rock elements smashed together with disco accents. Ethereal vocals and keys hand in hand with that devilish guitar riff. It seemed like everything it was trying to do musically couldn’t and shouldn’t work. These pairings don’t inherently belong together. But it’s their juxtapositions that make the song so gripping and infectious. It’s the contrasts that form the song’s identity.

“She was holding hands with Trevor. Not the greatest feeling ever. Said, "Pull yourself together. You should try your luck with Heather."

"INCENSE AND PEPPERMINTS" STRAWBERRY ALARM CLOCK (1967)

This month, the Mental Jukebox revisits the movie soundtracks of the nineties. The music I’m highlighting are some of my personal favorites. In many cases, the movies themselves were huge for me as well. But the focus will still be on the music – as always. Let’s bring on the throwback classics, the grunge, the gangsta rap, and the indie gems. #31DaysOf90sMovieSongs

Movie: Austin Powers: International Man of Mystery

The 60’s sounded like a concoction of different genres – soul, doo-wop, garage rock, folk, proto-punk, straight-ahead rock and, of course, psychedelic rock. The latter is probably the genre that comes to mind first for many of us. The style of music was almost secondary to the culture, which included mind-expanding drugs and movements like Woodstock. This was the playground and realm for many big acts, including Jefferson Airplane, Jimi Hendrix, the Yardbirds, the Dead and a lesser-known band by the catchy, peculiar name of Strawberry Alarm Clock. They had a few songs on the radio, none bigger and more popular than “Incense and Peppermints”.

The first time I heard the song was 30 years after it hit the radio waves. The movie Austin Powers: International Man of Mystery was a mocking celebration of the 60’s – its spirit, fashion, vernacular and music. “Incense and Peppermints” is one of the soundtrack highlights, maybe only trumped by Quincy Jones “Soul Bossa Nova”. There’s a YouTube video of Strawberry Alarm Clock performing the song where something off is noticeable right away. Mark Weitz’s organ riff might’ve been the musical highlight of the track, but the drummer stole the spotlight. The drum kit was situated at the front of the stage with the guitarists, bassist and organist in the background. A few bars into the song we hear drummer Randy Seol delivering the first verse. It’s not the only time we heard a drummer sing by any stretch – Phil Collins, Don Henley and Roger Taylor all shared this somewhat unusual claim. But Seol’s setup created an unforgettable inverted poise for the song and the era.

“Occasions, persuasions clutter your mind. Incense and peppermints, the color of time.”

"INCENSE AND PEPPERMINTS" STRAWBERRY ALARM CLOCK (1967)

For the month of January, I’m selecting some of the most memorable and influential songs of the 60’s. While they all hail from the same decade, these are some of my favorite songs of any era. They remind me that the 60’s were so much more than just Woodstock and psychedelic rock. It was a flourishing period for blues, folk, progressive and straight-ahead rock. #31DaysOf60sSongs

The 60’s sounded like a concoction of different genres – soul, doo-wop, garage rock, folk, proto-punk, straight-ahead rock and, of course, psychedelic rock. The latter is probably the genre that comes to mind first for many of us. The style of music was almost secondary to the culture, which included mind-expanding drugs and movements like Woodstock. This was the playground and realm for many big acts, including Jefferson Airplane, Jimi Hendrix, the Yardbirds, the Dead and a lesser-known band by the catchy, peculiar name of Strawberry Alarm Clock. They had a few songs on the radio, none bigger and more popular than “Incense and Peppermints”.

The first time I heard the song was 30 years after it hit the radio waves. The movie Austin Powers: International Man of Mystery was a mocking celebration of the 60’s – its spirit, fashion, vernacular and music. “Incense and Peppermints” is one of the soundtrack highlights, maybe only trumped by Quincy Jones “Soul Bossa Nova”. There’s a YouTube video of Strawberry Alarm Clock performing the song where something off is noticeable right away. Mark Weitz’s organ riff might’ve been the musical highlight of the track, but the drummer stole the spotlight. The drum kit was situated at the front of the stage with the guitarists, bassist and organist in the background. A few bars into the song we hear drummer Randy Seol delivering the first verse. It’s not the only time we heard a drummer sing by any stretch – Phil Collins, Don Henley and Roger Taylor all shared this somewhat unusual claim. But Seol’s setup created an unforgettable inverted poise for the song and the era.

"HANG ON TO YOUR EGO" BEACH BOYS (1966)

For the month of January, I’m selecting some of the most memorable and influential songs of the 60’s. While they all hail from the same decade, these are some of my favorite songs of any era. They remind me that the 60’s were so much more than just Woodstock and psychedelic rock. It was a flourishing period for blues, folk, progressive and straight-ahead rock. #31DaysOf60sSongs

Few albums have the stature of Pet Sounds. That’s a true statement not just for the 60’s, but throughout time. It has set a very high bar for bands looking to do things differently and unexpectedly. That said, Pet Sounds truthfully just isn’t a favorite album of mine. But the greatest compliment I can give it is that I love many of the albums that it inspired. Much of the experimentalism that continues to happen in music simply wouldn’t be possible without the exceptionally talented Brian Wilson. One song that proves my point is “Hang On To Your Ego”, probably my favorite track from Pet Sounds.

The track sounds like it belongs under the big top. Timpanis, keyboards, banjos and even a bass harmonica give the song its circus-like feel. Throughout the track, I’m reminded of many great artists that came after The Beach Boys. The tempo change and interlude at the 1:40 mark reminds me of the instrumental cacophany of Wilco. The wide spectrum of instrumentation reminds me of Sufjan Stevens’ own versatility. And the unconventional song structure reminds me of Animal Collective and others. By pushing limits on “Hang On To Your Ego”, The Beach Boys have inspired so many other artists to do the same with their own songs.

“I know so many people who think they can do it alone. They isolate their heads and stay in their safety zones.”

"MY GIRLS" ANIMAL COLLECTIVE (2009)

Each day in December, I’ll be reflecting back on a song from the 2000’s. The decade saw the return of post-punk and the popularization of folk music, all while some of music’s biggest acts gained their indie footing. Thankfully, it’s a period that I can look back at fondly without cringing. #31DaysOf2000sSongs

For several decades, various bands have often been compared to the creme de la creme. Are you progressive enough like early Floyd? Can you combine various genres like Hendrix? Can you write melodies and experiment instrumentally like The Beach Boys? The latter comparison seems to be one of the most common ones. Seems like the minute Pet Sounds was released, critics wanted to see who could match it or even exceed it. Merriweather Post Pavilion certainly has earned a right to be in those discussions. It’s like a modern-day Pet Sounds and “My Girls” is Animal Collective’s own “That’s Not Me”.

The song opens with an audio sample from the Cassini-Hyugens spacecraft which explored Saturn, its rings and its moons. From there, the iconic and mesmerizing synth hook trickles in like a waterfall. The percussion elements are sparse, but powerful with every hit. The primary strength of “My Girls” is undoubtedly the vocals. The verses are sung in rounds. The buildup into the chorus features these background falsetto blips. And the chorus is anchored by Panda Bear and Avey Tare’s harmonies. A song about family and settling down, “My Girls” is experimental to the bone, as evident in its instrumentation, vocals and song structure. It is truly deserving of the lofty Pet Sounds comparisons it drew.

“I just want four walls and adobe slabs for my girls.”

"SIGN 'O THE TIMES" PRINCE (1987)

Pick four songs from any band and you can tell a lot about their sound. This summer, I’m featuring #RockBlocks, four picks from bands across various genres. They might be wildly different from each other, but what binds them together is the fact that they’re all a part of my life soundtrack.

For my last rock block pick for Prince, I thought it would be appropriate to choose the one Prince song that has grown on me more over time. This is the one that I was least drawn to growing up. It was the one Prince single that I was too dismissive of because it was way too simple, way too minimal, not melodic enough. But the thing about “Sign ‘o the Times” is it’s actually full of hooks. It just happens to be more psychedelic and more blues than pop.

Over the years, “Sign ‘o the Times” has become more and more intriguing to me because it shifts in and out of different worlds. It goes from spoken word verses to a beautifully sung chorus. It traverses across funk, blues, electronic and minimal like a thief in the night. And it covers a gamut of socio-political ills, from AIDS, to gang violence to natural and manmade disasters. While it was truly a sign of its own times, it has held up remarkably well and is as relevant as ever today — both musically and thematically.

“You turn on the telly and every other story is tellin' you somebody died.”

"STRAWBERRY FIELDS FOREVER" THE BEATLES (1967)

“Strawberry Fields Forever” remains one of my all-time favorite Beatles songs. Maybe because it’s a bit less happy and on the nose compared to many of their hits. Sandwiched in between “Penny Lane” and “Hello, Goodbye”, it had this strangely attractive dissonance from the first listen, painting a picture of a physical space and an emotional state all in the same breath.

“Let me take you down 'cause I'm going to Strawberry Fields. Nothing is real. And nothing to get hung about.”

"THE LESS I KNOW THE BETTER" TAME IMPALA (2015)

At one point in 2015, it felt like Tame Impala was the hottest band on the planet. And “The Less I Know the Better” was one of their staples. It’s a musical study in contrasts. Rock elements. Disco accents. Ethereal vocals and keys. Devilish guitar riff. It seems like it shouldn’t work. These things don’t belong together. But it’s the contrasts that grab you. The contrasts Form thIs song’s identity and make it one of the StroNgest tracks on Currents.

“She said, ‘It's not now or never. Wait ten years, we'll be together.’ I said, ‘Better late than never. Just don't make me wait forever.’”