"TOPAZ" THE B-52'S (1989)

For October, the Mental Jukebox is dialing it way back to the eighties and going deep. Deep cuts have always been an important element of music listening to me because they’re often the songs that resonate with me most. Deep cuts are usually the ones that the true fans appreciate most. I like my singles and hits, but I love my deep cuts.

When The B-52’s came to visit my college, I snapped up the opportunity and got myself to the concert. That said, I’m not a big fan. Their songs are certainly etched into my life, especially my teenage years. But their niche in carefree, party rock always felt a little too cooky for my tastes. But on their breakthrough album Cosmic Thing, they flashed a different side to their music that I would describe more as euphoric and ethereal. This sound was represented in the last two tracks: “Topaz” and “Follow Your Bliss”.

On Cosmic Thing, everyone will remember “Love Shack”. Many will fondly remember “Roam”. Alt rock fans won’t forget “Channel Z”. But I’ll always remember “Topaz”. The second-to-last track. The almost forgotten song. The easily overshadowed one. But it was The B-52’s finally stepping outside of their party mentality. Still kids at heart, but this was a band that was growing up before our ears. With its swirly, dreamy, euphoric state, “Topaz” gave us a more mature perspective and sound that I appreciated back in high school. And still do.

“New cities by the sea. Skyscrapers are winking. Some hills are never seen. The universe expanding.”

"CIRCLE OF LIFE" ELTON JOHN (1994)

This month, the Mental Jukebox revisits the movie soundtracks of the nineties. The music I’m highlighting are some of my personal favorites. In many cases, the movies themselves were huge for me as well. But the focus will still be on the music – as always. Let’s bring on the throwback classics, the grunge, the gangsta rap, and the indie gems. #31DaysOf90sMovieSongs

Movie: The Lion King

What makes Disney, Disney? Plenty, it turns out. Disney movies have their own unique style of animation. They use only the best voiceovers. They feature really good, sometimes even phenomenal original music. And, above all, they tell great stories. Those last two points are inextricably linked. In a Disney movie, what makes the songs so great is their connection to the story. And vice versa. This is definitely the case with The Lion King – a soundtrack with almost all great originals, including this one by Elton John and Tim Rice.

I’m not the biggest Elton John fan. I’m not even a casual fan, to be honest. Great voice. Great piano player. Great composer. And definitely a great performer. But Elton just isn’t my cup of tea. That said, his collaboration with Tim Rice in “Circle of Life” is nearly flawless. The song is perfect for the movie. The melody starts off in a pedestrian manner in the verses, but things soar and shine in the chorus. The best part is the lyrics. It’s a manifesto for the movie. As the story goes, Tim Rice wrote these brilliant words and handed them over to the Rocket Man to turn into music. He pumped out a spectacular demo in an hour and a half. Now, that’s talent. Maybe I should listen to more Elton John.

“In the circle of life, it's the wheel of fortune. It's the leap of faith. It's the band of hope. 'Til we find our place on the path unwinding, in the circle, the circle of life.”

"LAND OF CONFUSION" GENESIS (1986)

It’s time to get back to my favorite decade. For the month of March, I’ll be looking back at some of my favorite jams from the 80s. These songs often came to me via MTV or the radio. NYC-area stations WDRE, WPLJ, WNEW, K-ROCK and Z100 introduced me to everything from irresistible pop confections to under-the-radar post-punk anthems. I would not be who I am today if it weren’t for the 80s. It was the decade when I discovered music can be a truly powerful thing. #31DaysOf80sSongs

I featured my first Genesis song on Mental Jukebox last month: “Follow You Follow Me”. And now I’m back at it almost immediately. There’s something truly sensorial about many 80’s songs. Unlike music from decades prior, we didn’t just hear them, we saw them. MTV and VH-1 transformed the musical landscape with unforgettable images, and enabled a generation to push past the predictable pop stuff and venture out a bit. When we hear songs like “Money For Nothing”, “Simply Irresistible” and “Take On Me”, we immediately recall the images that brought the music to life. Another such example hails from the powerhouse Genesis album Invisible Touch. A banger of a song called “Land of Confusion”.

A lot has been said of the song’s video that uses puppets as caricatures of world leaders and of the band members themselves. The video won a Grammy, but, in my opinion, this accolade undercuts what a great song “Land of Confusion” is in and of itself. It’s a sign of the times. It’s less of a political statement - and more of a cry for humanity. Written by Mike Rutherford, the lyrics were gold, lamenting the disillusionment of the Reagan/Gorbachev era. But the best part of the song was the instrumentation. It starts with that iconic muscular guitar riff by Rutherford, features equally muscular drumming by Collins, and finishes off with Banks’ arpeggios on the keys that are truly emblematic of the times. “Land of Confusion” is a perfect song to kick things off with this month on Mental Jukebox.

“There's too many men, too many people making too many problems.”

"GIRL, YOU'LL BE A WOMAN SOON" NEIL DIAMOND (1967)

For the month of January, I’m selecting some of the most memorable and influential songs of the 60’s. While they all hail from the same decade, these are some of my favorite songs of any era. They remind me that the 60’s were so much more than just Woodstock and psychedelic rock. It was a flourishing period for blues, folk, progressive and straight-ahead rock. #31DaysOf60sSongs

Neil Diamond might be most well known for his two big hits: “Sweet Caroline” and “America”, songs that flooded living rooms and neighborhood bars across the country. But some of his greatest songs were ones that were more popularized by their covers. The Monkees made “I’m a Believer” a classic. UB40 brought “Red Red Wine” to the masses. And, of course, Urge Overkill ushered “Girl, You’ll Be A Woman Soon” into the mainstream consciousness as part of the Pulp Fiction movie soundtrack. But, as far as the latter, I’ll take the original over the cover any day.

There’s more to “Girl, You’ll Be a Woman Soon” than the catchy chorus. Diamond skillfully navigates through several tempo changes and strumming styles, weaving in both string arrangements and flamenco romanticism. In the song, it feels like the girl rushes through the red muleta and emerges as a woman on the other side. Somehow this song was completely off my radar until Urge Overkill recorded it for Pulp Fiction, making it a perfect track for the heroin overdose scene. It’s one of Diamond’s most unique recordings from a long, storied career.

“Girl, you'll be a woman soon. Please, come take my hand. Girl, you'll be a woman soon. Soon, you'll need a man.”

"MELODY OF YOU" SIXPENCE NONE THE RICHER (2002)

Each day in December, I’ll be reflecting back on a song from the 2000’s. The decade saw the return of post-punk and the popularization of folk music, all while some of music’s biggest acts gained their indie footing. Thankfully, it’s a period that I can look back at fondly without cringing. #31DaysOf2000sSongs

One of the more underrated original songwriters of our time is Matt Slocum of Sixpence None The Richer. It’s a bit unfortunate that most people recognize their covers more than their originals, most notably their renditions of The La’s “There She Goes” and Crowded House’s “Don’t Dream It’s Over”. But I’ve always found their original songs to be much more intriguing. Slocum’s songwriting and arrangements and Leigh Nash’s whimsical vocals make for one of the most unique pairings in pop. If you’re not that familiar with it, a good place to start is “Melody of You”.

Divine Discontent has the feeling of a comeback album, even though their previous album release was their most successful. The five-year period in between albums certainly contributed to that feeling, but songs like “Melody of You”, “Breath Your Name”, “Tonight” and “A Million Parachutes” felt like they came from a band on a mission. The former is my favorite because of how it uses a 25-piece orchestra to create something deeply personal and intimate. “Melody of You” feels more like a love letter than a string-infused anthem.

“I only write variations to sooth the mood. A drink that will knock me down to the floor. A key that will unlock the door. Where I hear a voice sing familiar themes then beckons me weaves notes in between.”

"THERE MUST BE AN ANGEL (PLAYING WITH MY HEART)" EURYTHMICS (1985)

For the month of October, I’m selecting a song each day from the decade that has the most meaning to me: the 80s. It was the decade that I grew up in. The period of time where I discovered my love for music — and explored many different genres. For the next 31 days, I’ll highlight a handful of songs that I truly loved and that were representative of the decade. #31DaysOf80sSongs

One of the most talented and versatile voices of our time is Annie Lennox. Throughout her time with the Eurythmics, her vocals spanned all kinds of genres, including rock, new wave, motown and soul. VH-1 once went so far as to name her "The Greatest White Soul Singer Alive”. A natural contralto, Lennox pushed up to the upper octaves with this falsetto that seemed to come down from heaven. She made good singers seem mediocre, most evident in vocal range-stretching tracks like “There Must Be An Angel”.

Be Yourself Tonight, as a full body of work, was quite different from the earlier Eurythmics synth-heavy aesthetic. It had much more rock, much more soul, even some Motown. I liked those songs, but “There Must Be An Angel” is still my favorite track off the album because of Dave Stewart’s production mastery and synth hooks. A second movement to the song begins about halfway through the track with this soul-infused approach that culminates in a mind blowing harmonica solo by Stevie Wonder.

“This must be a strange deception. By celestial intervention. Leaving me the recollection. Of your Heavenly connection.”

"I WANT TO BREAK FREE" QUEEN (1984)

For the month of October, I’m selecting a song each day from the decade that has the most meaning to me: the 80s. It was the decade that I grew up in. The period of time where I discovered my love for music — and explored many different genres. For the next 31 days, I’ll highlight a handful of songs that I truly loved and that were representative of the decade. #31DaysOf80sSongs

I’m not sure how this song was off my radar growing up. As many music fans know, Queen was the king of the Live Aid concert at Wembley Stadium. Now, they didn’t play “I Want to Break Free”. “Radio Ga Ga” and “Hammer to Fall” got the new song honors at that show. And “I Want to Break Free” also didn’t chart exceptionally high. But the song just flat out kicks ass. It’s truly one of my favorites from the band.

“I Want to Break Free” is a song that seems to have endured well over the years. And it has made a comeback in all kinds of places — from bars to tv commercials. I remember some friends of mine who studied abroad in Barcelona in the late 90s were raving about this “new” Queen track that they played incessantly at the bars. The song was actually “I Want to Break Free”, which seemed to have a resurgence that allowed many of us naive rockers to finally get introduced to the song more than a decade after its release. The instrumentation hasn’t aged exceptionally well, but the melody has. I think, at the end of the day, upbeat, hopeful songs will always have a place in people’s hearts. It’s what music was designed to do.

“God knows I've fallen in love.”

"THE DOWNEASTER 'ALEXA'" BILLY JOEL (1989)

Billy Joel is not only the piano man, he’s a master storyteller—with countless songs that tell gripping, novel-like narratives. And “The Downeaster ‘Alexa’” was one of his finest, recounting the plight of a fisherman—with local references like Block Island Sound, Nantucket, Montauk and Gardiner’s Bay. Seeing Billy perform it live on the Storm Front tour at Giants Stadium, I felt like my very hands were on the wheel of the Alexa. That’s a powerful song.

“But I've got people back on land who count on me. So if you see my Downeaster Alexa and if you work with the rod and the reel, tell my wife I am trolling Atlantis.”

"TOPAZ" THE B-52'S (1989)

On Cosmic Thing, everyone will remember “Love Shack”. Many will fondly remember “Roam”. Alt rock fans won’t forget “Channel Z”. But I’ll always remember “Topaz”. The second-to-last track. The almost forgotten song. The easily overshadowed one. But it was The B-52’s finally stepping outside of their party mentality. Still kids at heart, but this was a band that was growing up before our ears. “Topaz” gave us a more mature perspective and sound that I appreciated back in high school. And still do.

“New cities by the sea. Skyscrapers are winking. Some hills are never seen. The universe expanding.”

"ESTOY AQUI" SHAKIRA (1995)

Before crossing over in the States and recording multi-platinum albums, Shakira put together a beautifully innocent album written completely in Portuguese. There are many great songs on Pies Delscazos, but “Estoy Aqui” will always be the banner song. You can hear the authenticity and the simple earnestness in it even if you don’t know a lick of Portuguese. “Estoy Aqui” means “I’m here”, and, in many ways, this was Shakira’s letter to the music world announcing that she has arrived.