"WALK THIS WAY" RUN-D.M.C. & AEROSMITH (1986)

After spending an entire month looking back at the 80’s, I realized one thing. I need more. Luckily, a couple of fellow music fans on Twitter came up with the brilliant idea to highlight #30DaysOf80sMovieSongs during the month of April. I couldn’t resist at the opportunity to keep going, to keep listening, and to keep celebrating the decade that has meant more to me than any other from a musical standpoint. Each day I’m playing a different soundtrack favorite on the Mental Jukebox.

Movie: The Lost Boys

The Lost Boys soundtrack might be most well known for the Echo & The Bunnymen cover of the The Doors classic “People Are Strange”. It plays over the end credits, a slot which always seems to give the songs placed there an extra gravitas. But there’s another song on the soundtrack that can never be overshadowed: “Walk This Way”. Gracing the esteemed soundtrack, it’s a difficult song to ignore given how ambitious it was as one of the most iconic examples of rap rock.

“Walk This Way” is a mash-up of east coast rap and east coast hard rock. It was a double-dose of music royalty. The thing is, you didn’t have to be a Run-D.M.C. fan or an Aerosmith fan to like it. In fact, if you weren’t a fan of either of those artists, you may have actually been more swept up by the swagger of this track. What did it? It was the way the two genres blended so effortlessly together. The rap and the rock were so closely intertwined, it was hard to tell them apart. It’s as good an example of rap rock as the best Beastie Boys tracks ever recorded. At the end of the day, I think this ingenious blend makes it stronger than the Aerosmith original.

“Cause she knew what was she was doin when she told me how to walk this way.”

"LIFE DURING WARTIME" TALKING HEADS (1979)

Exceptional soundtracks can make good movies great. They can also take on a life of their own, becoming a greater highlight than their respective films. In this series, I’m selecting some of my favorite soundtrack songs. While quite a few are well-known recordings, I’m also including a few that have flown under the radar over the years.

The Times Square soundtrack is filled with new wave classics and sleepers. It captures a colorful era in time through a colorful collection of songs. While I’ve never seen the movie, I’ve been drawn to the soundtrack. The inclusion of “Life During Wartime” shows a dimension of new wave that Talking Heads helped create, one that was equally reliant on song structure and instrumentation.

Talking Heads was always characterized by incorporating unusual combinations into the muisc. In “Life During Wartime”, they gave us a party music vibe, but also an art rock mentality at the same time. The short musical accents were countered by Weymouth’s steady, repetitive bass line. And at the helm, David Byrne went from smooth, melodic delivery to spastic outbursts. It was a musical crossroads of sorts, making it a perfect complement to the film about the crossroads of the world.

“This ain't no party, this ain't no disco, this ain't no fooling around.”

"EPIC" FAITH NO MORE (1989)

Turn this one up real high. “Epic” kicked our asses and blew our minds. Faith No More had a cult classic in “We Care a Lot”, but “Epic” was the song that put them on the map. And where to pinpoint them on the music map, no one knew. They fused metal, hard rock, rap and funk. In “Epic” we hear elements of the Beastie Boys, of Anthrax, of Primus, of Rage Against the Machine. You can’t say enough about the killer guitar riffs, but my favorite part is the delicate piano finale.

“You want it all but you can't have it. It's in your face but you can't grab it.”

"SABOTAGE" BEASTIE BOYS (1994)

Pretty much everything the Beastie Boys ever produced sounds like the stuff you would record with your buddies inside a garage. The kind of music you make for fun, not for FAME or money. That’s what makes songs like “Sabotage” that much more awesome. while these guys were just having fun, they were reinventing music. “Sabotage” unleashes a barrage of drums, turntable scratches and distorted bass riffs like we’ve never heard before.

“I can't stand it, I know you planned it. I'mma set it straight, this Watergate. I can't stand rockin' when I'm in here. 'Cause your crystal ball ain't so crystal clear.”