"WE WORK THE BLACK SEAM" STING (1985)

For October, the Mental Jukebox is dialing it way back to the eighties and going deep. Deep cuts have always been an important element of music listening to me because they’re often the songs that resonate with me most. Deep cuts are usually the ones that the true fans appreciate most. I like my singles and hits, but I love my deep cuts.

My Dream of the Blue Turtles cassette was a prized member of my music collection. I loved all those songs. “Russians” and “Fortress Around Your Heart” are top 5 solo Sting tracks for me. But it’s the maturity and versatility of the entire album that I remember as I listen back to it for the first time in quite a while. The Dream of the Blue Turtles is an amalgam of social themes and genre explorations – and “We Work The Black Seam” is one of the album’s most ambitious tracks.

“We Work The Black Seam” is more than a song, it’s an essay about the decimation of the coal industry and the bleak prospects of a nuclear-powered future. The lyrics are Pulitzer Prize quality. But in typical Sting fashion, the best part isn’t just the words. It’s the way in which he strings the words along to a melody. Like many of the other tracks on The Dream of the Blue Turtles, “We Work The Black Seam” has inventive, wildly ambitious chord progressions, fused together to create a melody like no other.

“One day in a nuclear age They may understand our rage. They build machines that they can't control And bury the waste in a great big hole.”

"SHAPE OF MY HEART" STING (1993)

This month, I’m looking back at movies and tv shows to rediscover songs that graced the screen. The scenes and the music are inseparable. They’re engrained in our heads and our hearts. And they’re proof that the best music we have doesn’t exist in isolation. It attaches itself to a moment or an experience. #SceneSongs

Movie: Leon: The Professional

By the release of Ten Summoner’s Tales, Sting had veered from his rock roots with The Police and toward a softer, quieter musical expression. His previous record. Soul Cages was highly introspective. I much prefer the demeanor of The Dream of the Blue Turtles and Nothing Like the Sun to Soul Cages and Ten Summoner’s Tales. But there are some real treasures on the latter. In the wake of the grunge era, Sting turned to jazz and blues for inspiration – and even flamenco, as he did on my favorite track off the album.

If songs like “Shape of My Heart” prove anything, it’s that, no matter how slow or quiet the music gets, Sting’s exploration of different genres continues to inform his own approach. While The Police found inspiration from reggae and punk, “Shape of My Heart” dabbled in flamenco. It’s a beautiful, classical guitar-driven track with some of the artist’s finest lyrics ever written. Sting used the metaphor of a card player to describe life and love, which gave Leon: The Professional more gravitas as the song unraveled over the end credits.

“I KNOW THAT THE SPADES ARE THE SWORDS OF A SOLDIER. I KNOW THAT THE CLUBS ARE WEAPONS OF WAR. I KNOW THAT DIAMONDS MEAN MONEY FOR THIS ART. BUT THAT'S NOT THE SHAPE OF MY HEART.”

"FORTRESS AROUND YOUR HEART" STING (1985)

You can get off to a fast start. You can sustain your opener with the main course, not filler. But can you end on a high note? Sometimes I wonder if recording a strong closer is the most difficult thing to pull off when it comes to album rock. When it comes to the cream of the crop in music, I can think of more strong openers than strong closers. Nonetheless, I still have my favorites which I’ll be featuring on Mental Jukebox all month.

The Dream of the Blue Turtles was my first experience hearing a former frontman turn solo, and it didn’t disappoint. Sting’s musicianship and songwriting, in fact, took a big step forward here. Sting’s debut solo album is full of varied themes, genres and personalities. and my favorite track was always “Fortress Around Your Heart”. I first discovered it on MTV and was instantly mesmerized by the music and lyrics. Then I got my Dream of the Blue Turtles cassette – and was blown away by its presence as the final track to an exceptional album.

It’s a love song written like an epic war story. This wouldn’t be the only time Sting would use a metaphor to describe the heart. Later, on Ten Summoner’s Tales, he would revisit the subject with a different metaphor, featuring a card player in “Shape Of My Heart”. Here, the imagery is epic – consisting of bridges, crumbling towers and battles. The melody is infectious, yet utterly unique, and contains one of Sting’s self-proclaimed finest choruses. and the instrumentation is impeccable, with the calculating guitar picking, prodding bass line and Branford Marsalis’ sly sax solo marching in sync.

“I RECOGNIZED THE FIELDS WHERE I'D ONCE PLAYED. HAD TO STOP IN MY TRACKS FOR FEAR OF WALKING ON THE MINES I'D LAID.”

"SHAPE OF MY HEART" STING (1993)

This month, the Mental Jukebox revisits the movie soundtracks of the nineties. The music I’m highlighting are some of my personal favorites. In many cases, the movies themselves were huge for me as well. But the focus will still be on the music – as always. Let’s bring on the throwback classics, the grunge, the gangsta rap, and the indie gems. #31DaysOf90sMovieSongs

Movie: Leon: The Professional

By the release of Ten Summoner’s Tales, Sting had veered from his rock roots with The Police and toward a softer, quieter musical expression. His previous record. Soul Cages was highly introspective. I much prefer the demeanor of The Dream of the Blue Turtles and Nothing Like the Sun to Soul Cages and Ten Summoner’s Tales. But there are some real treasures on the latter. In the wake of the grunge era, Sting turned to jazz and blues for inspiration – and even flamenco, as he did on my favorite track off the album.

If songs like “Shape of My Heart” prove anything, it’s that, no matter how slow or quiet the music gets, Sting’s exploration of different genres continues to inform his own approach. While The Police found inspiration from reggae and punk, “Shape of My Heart” dabbled in flamenco. It’s a beautiful, classical guitar-driven track with some of the artist’s finest lyrics ever written. Sting used the metaphor of a card player to describe life and love, which gave Leon: The Professional more gravitas as the song unraveled over the end credits.

“I know that the spades are the swords of a soldier. I know that the clubs are weapons of war. I know that diamonds mean money for this art. But that's not the shape of my heart.”

"SHAPE OF MY HEART" STING (1993)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

By the release of Ten Summoner’s Tales, Sting had veered from his rock roots with The Police and toward a softer, quieter musical expression. But if songs like “Shape of My Heart” prove anything, it’s that, no matter how slow or quiet the music gets, Sting keeps exploring other genres to inform his own approach.

While The Police found inspiration from reggae and punk, “Shape of My Heart” dabbled in flamenco. It’s a beautiful, classical guitar-driven track with some of the artist’s finest lyrics ever written. Sting used the metaphor of a card player to describe life and love, which gave Leon: The Professional more gravitas as the song unraveled over the end credits.

“I know that the spades are the swords of a soldier. I know that the clubs are weapons of war. I know that diamonds mean money for this art. But that's not the shape of my heart.”

"FORTRESS AROUND YOUR HEART" STING (1985)

Inspired by Albumism, I’m doing my own version of Flying Solo with individual tracks. Band breakups and hiatuses are never fun, but these solo jams were defining moments in my life’s soundtrack.

The Dream of the Blue Turtles was my first experience hearing a former frontman turn solo, and it didn’t disappoint. Sting’s debut solo album is full of varied themes, genres and personalities. And my favorite track was always “Fortress Around Your Heart”.

It’s a love song written like an epic war story. The melody is infectious, yet utterly unique, and contains one of Sting’s self-proclaimed finest choruses. And the instrumentation is impeccable, with the calculating guitar picking, prodding bass line and Branford Marsalis’ sly sax solo marching in sync.

“I recognized the fields where I'd once played. Had to stop in my tracks for fear of walking on the mines I'd laid.”

"ENGLISHMAN IN NEW YORK" STING (1987)

Inspired by Jeep’s “Reunited States of America” Super Bowl ad, this is my peek into America through a handful of songs. Each track is dedicated to one of the states. Here’s Part 6.

One of my all time favorite Sting anthems, “Englishman in New York” epitomizes the true fabric of New York. The places and the vibe are distinct and irreplaceable. But it’s the people that make New York what it is. “Englishman in New York” celebrated this notion. The lyrics were impeccable, filled with the perfect balance of poeticism and slogan-slinging. Musically, it’s a work of art and a breath of fresh air for the pop world, highlighted by Branford Marsalis on sax.

“Be yourself, no matter what they say.”